Fiber Arts Tag

[caption id="attachment_13664" align="aligncenter" width="472"]Gandy_Tulips_Close_Up_1_medium2 Tulip detail on knitted sock by Charles Gandy[/caption] [caption id="attachment_13659" align="alignright" width="243"]Gandy_CP5_8587 Charles holding his tulip-themed sock outside the Wet Room[/caption] You can envision Charles Gandy's sculptural socks warming cold winter feet, or you could imagine seeing his socks in a fine art gallery. He has a show coming up at The Bascom Art Center in Highlands (see below for details) that explores this very topic. He is a TKGA Master Knitter and is a renowned designer with a published book focusing on his creative sock designs: The Embellished Sock: Knitted Art for the Foot. We are lucky to have Charles teach regularly at the Folk School. I sat down with him in the Wet Room Studio during his last class where students were working on fantastic knitted pieces like vegetable gardens, jonquils, and Pop Art-esque Campbell’s soup cans. Let’s find out a little bit more about Charles Gandy.

[caption id="attachment_13338" align="aligncenter" width="600"]Kathy Hays displays her eco print creations outside the Wet Room. Kathy Hays displays her eco print creations outside the Wet Room.[/caption] [caption id="attachment_13334" align="alignright" width="234"]Class projects Class projects[/caption] I stopped by the Wet Room to visit Kathy Hays' recent class "Eco Printing Meets Felt Making" to see what they were creating. I talked to Kathy about her craft and the joys of eco printing. Enjoy our interview! CP: Tell me about where you're from, what you do there, and about your craft. KH: I’m from Florida, an unusual area for felt making due to the climate. I began making felt here at the Folk School in 1999. After struggling and trying to figure how to make felt on my own, I was able to come here and after the first day, it was like all my questions were answered! The rest of the week was purely a bonus. CP: How is Nuno Felting different from other felting? KH: Felt making is wool fibers being arranged and then adding soap, water, and agitation. In the case of Nuno Felting, you are merging fibers through another fabric. The term is a little ambiguous. That fabric can be cotton, linen... anything that is thin enough for it to come through. It creates a unique texture when it does that.

[caption id="attachment_12659" align="aligncenter" width="600"]Felted Rug Class with Becky Walker in the Wet Room Felted Rug Class with Becky Walker in the Wet Room[/caption] Felt is the oldest known fabric used by man. That stands to figure... felt is so easy to make, it was probably first discovered by accident. The recipe for felt, after all, is wool, moisture and agitation. Picture lining a sandal or shoe with raw wool to act as a cushion. Now picture walking around on that wool, smooshing it with every step, maybe sweating on it a bit to add the needed moisture. By the end of a long walk, you're not taking out bits of raw wool, but essentially a felted sock that fits your feet perfectly. While felting techniques have come a long way, that essential concept of felt making is still the same.  I sat down to talk with Becky Walker about her adventures with felt making. You've seen Becky around the Folk School campus wearing a knit hat, sweater or socks, or maybe on the dance floor wearing her felted name tag. Wherever you may meet Becky, her enthusiasm for her passions – music, dance, good food, good friends, animals and fiber – becomes clear right away. Let's meet her. [caption id="attachment_12657" align="alignright" width="208"]Becky and her felted name badge Becky and her felted name badge[/caption] CC: How did you first become interested in becoming a fiber artist? BW: Well, my mother taught me to knit when I was a real little kid, I was about seven. I've always loved animals, or anything with fur, anyway, and one thing lead to another. I've pretty much continued knitting through out my life so far. So I haven't knitted all my life yet (she laughs). CC: How did you discover the Folk School? BW: After I met Steve, my husband. He was a Folk School person and this was one of the first places we came. His son, Able lived over here, and he wanted me to meet Able and his mom. Of course we had to come dance because we were right here. Actually, I had encountered the Folk School in my early 20s in the book Handicrafts of the Southern Highlands. There was a chapter on the Folk School and I thought, “Wow, that seems like such a great place. I'd love to go there!” but didn't really think I ever would. So the fact that we came here right away was pretty neat, and I've been loving it ever since. It was a while before I got to take a class, so anyway, we'd come here to dance and see family. CC: What kind of fiber arts do you do? [caption id="attachment_12666" align="alignright" width="217"]Felted Rug with Woman Felted Rug with Woman[/caption] BW: Well, felt making is what I've become known for and I dabble a little bit with spinning. I'm not very good, but I just need to sit down at my wheel and do it more. CC: Martha Owen, the Folk School Resident Artist in Knitting and Spinning, told me a story about teaching you to spin and you told her you might be more interested in felt making, right? BW: I told her that I loved her, that I was interested in spinning, but I wasn't really ready to sit still yet. And so when I said that, she said “Well, you know, there's this thing called felt making and it's really active and I think you would like it. Carla is teaching a class here at the Folk School sometime coming up pretty soon and I think you should try that.” So I did.

To have the freedom we had as children: to explore, to try new things, to dabble, to be alright with not being good at it, to immerse ourselves and relinquish all responsibilities for awhile… sound good? Since 1925, John C. Campbell Folk School in Brasstown, NC has been answering the call of adults who want to have fun learning about music, art, nature, crafts, gardening, cooking, storytelling and writing. [caption id="attachment_11005" align="alignleft" width="268"]Gardens Folk school gardens[/caption] Their history is fascinating. The school’s namesake, John C. Campbell was described by his colleagues at Piedmont College as “the guy from up North that you can get along with” when he was president of the school. In 1903, he and his wife Olive Dame outfitted a covered wagon and set out to explore Appalachia. John interviewed farmers about their agricultural practices and Olive collected traditional ballads and studied the handicrafts. They aspired to improve the quality of education in the region but they were also studying the wonderful crafts, music and tools that mountain people used. Beyond cruel stereotypes, not much was known of this region at the time. The book of ballads Olive eventually published is still the seminal work on the subject.