Collograph with Feather and Fabric[/caption] Last month’s printmaking class didn’t go as I’d planned. The class was “Printmaking Paradise,” a survey of techniques, taught by Sally and Dick Walsh. In class, Sally taught us a few techniques each day. Some used the printing press, and some we could do at home with no fancy equipment. Sally encouraged us to have fun: to try everything but to go with the techniques we resonated with. On day one, we tackled collagraphs. They seemed simple enough: spread ink onto a piece of matte board, lay found objects on top, cover with paper, and run the whole thing through the printing press. The first print will be a little sloppy, but the second and third will have more defined features, showing the textures of the objects. Sally’s example had a beautifully detailed feather printed on it. I waited with eager fingers for my print to roll through the press. Then I peeled it off the board. My feather had printed as a disappointing white blotch: not enough ink. “Make another one!” Dick suggested, so I did, this time gopping on the ink under my feather. You can’t understand the process until you do it, I thought. Why did I expect things to be perfect the first time?